The possible attribution to Van Dyck was considered for both of these works. In Van Dycks portrait, the pregnant queen of England cradles her arms over her abdomen while standing next to a crown that advertises her rank. His wish was granted in 1628, when the collection of the Gonzaga dukes of Mantua came up for sale. During the Civil War, Henrietta Maria moved to France for safety, and it was from here, in 1649 that she heard of her husband's execution. 135; 1817, no. The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. The jewels in the crown of the collection were without question Titians eleven half-length portraits of Roman emperors (153640; destroyed by fire in 1734) which were inspired by the Roman historian Suetoniuss, The consequence of the visit was that Charles set his heart on a comparable collection of art for his own court when king. It was estimated at 4,000 - 6,000 but realised 8,750 (including buyer's premium). The bodice and full skirt of her blue dress are trimmed with bands of gold along the hems, down the sleeves, and down the front of the skirt. A woman with pale skin, wearing a shimmering, azure-blue gown, stands next to a child with a pale pink complexion, wearing a flame-red suit in this vertical portrait painting. Anthony van Dyck, Charles I, before 1635, oil on canvas, 84.4 x 99.4 cm (Royal Collection Trust, London), Whatever his character failings and political misdeeds as monarch might have been, King Charles I was undoubtedly a refined individual and a great collector and connoisseur of art. Files are available under licenses specified on their description page. The revised early provenance given here relies on the work of Sally Goodsir, who researched the history of the paintings collection at Weston Park, the former country home of the Earls of Bradford, and who kindly shared her research with the Gallery. The paint surface shows evidence of slight wear, notably in the darker pigments. Episode 4 are 28 day figures from the new system. Many comparables of his brushstrokes hanging there too." After Lady Torrington's death, the house was sold out of the family. His wish was granted between 1627 and 1628, when the renowned and lavish collection of the Gonzaga dukes of Mantua came up for sale. . in Britain found a portrait of Queen Henrietta Maria (1609 - 1669) painted by Anthony van Dyck. unframed: 121.2 x 92.4 cm. Days later, his restorer removed dirt and varnish, revealing subtler brush strokes and colours, especially around the eyes. Bendor Grosvenor also finds supporting evidence in a 1949 newsreel. The woman stands at the center of the composition with her body angled to our left, but she looks at us from the corners of her brown eyes. The commission had initially been given to the Dutchman Daniel Mytens, the . She was a loving grandmother to 15 grandchildren and 22 great-grandchildren. This magnificent portrait of the Queen is the type of painting that the king would traditionally present to a court favorite for political purposes. She did not leave any paintings to her son, Henry, 7th earl of Mountrath. The painting then disappears from all subsequent inventories. After the assassination of Buckingham in 1628, the king seems genuinely to have fallen in love with his young bride. And working with art dealer Philip Mould has introduced me to a new world of intrigue. Learn how and when to remove this template message, http://artsalesindex.artinfo.com/asi/lots/132287, Saint Ambrose barring Theodosius from Milan Cathedral, Thetis Receiving the Weapons of Achilles from Hephaestus, Portrait of Queen Henrietta Maria, as St Catherine, Lord John Stuart and his Brother, Lord Bernard Stuart, https://en.wikipedia.org/w/index.php?title=Portrait_of_Queen_Henrietta_Maria,_as_St_Catherine&oldid=1138679820, Articles needing cleanup from August 2022, Articles with bare URLs for citations from August 2022, All articles with bare URLs for citations, Articles covered by WikiProject Wikify from August 2022, All articles covered by WikiProject Wikify, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 11 February 2023, at 00:23. The Medici crest contains five gold balls, thought to represent oranges from the family's renowned citrus tree collection. Philip Mould | Historical Portraits | Portrait of Henrietta Maria | Studio of Sir Anthony Van Dyck | Item Details For Philip Mould Fine Paintings please go to www.philipmould.com to see works of art for sale Powered by GalleryinaBox Historical Portraits Picture Library (select convert (int,CHAR (65))) The canvas has a firm lining and the paint surface is clean with a clear and even varnish. 14; 1844, no. [22] Philip Mould described the appearance on Swedish television weeks ahead of the British premiere as a "weird BBC World cock-up". If you're behind a web filter, please make sure that the domains *.kastatic.org and *.kasandbox.org are unblocked. As a Van Dyck oil study, it is worth 350,000. [8] The sale was stopped by Hearst after some months and lots not sold were returned to his possession. Most noticeably Van Dyck admired the dramatic works of Titian. Full-length portraits, standing, full face, the Queen is wearing a large black hat and deep blue silk dress. While this is less so the case nowadays, where understanding of conservation surely guarantees the safe conservation of the original image, this was sadly not always the case during the pre-modern period. 88. Charles and Buckingham traveled incognitoin wigs and false beardsas Jack and Tom Smith and caused something of a stir at the court. Many people take the art world to be resolute and unfailingly knowledgable and, with the works of a select number of master painters, this is certainly true. presenters 'in dispute' over new BBC show". (105.7 84.5 cm), Classification:
Over ten years van Dyck painted many royal portraits for Charles I and his wife Henrietta Maria. It's a risky business, but . Ivory-white gloves reach back over his forearms, and the tops of his knee-high, fawn-brown boots are folded over. However, according to John Walker, Self-Portrait with Donors: Confessions of an Art Collector, Boston and Toronto, 1974: 222, it was sold for $124,998. From their Web site; increased exposure. (104 176 cm) Archbishop's Castle and Gardens, Krom. When they saw the photograph, Mould and his colleague Bendor Grosvenor were "90% sure" it was by Van Dyck. Thomas Newport [c. 1655-1719, created 1st and last Baron Torrington in 1716], London, before 1716;[1] by inheritance to his third wife and widow, Anne, Lady Torrington [d. 1735, ne Anne Pierrepont], Newport House, Twickenham, and London;[2] by inheritance to her sister-in-law, Mary, Countess of Bradford [1661- 1737, ne Mary Wilbraham, widow of Richard Newport, 2nd earl of Bradford of the first creation], Weston Park, Shropshire;[3] by inheritance to her daughter, Diana, Countess of Mountrath [d. 1766, ne Lady Diana Newport, wife of Algernon Coote, 6th earl of Mountrath], 20-21 Grosvenor Square, London;[4] by inheritance to Caroline, Baroness Milton [1718- 1775, ne Lady Caroline Sackville, wife of Joseph Damer, later 1st earl of Dorchester], Milton Abbey, Dorset;[5] by inheritance to her son, George Damer, 2nd and last earl of Dorchester [1746-1808], Milton Abbey; by inheritance to his sister, Caroline Damer [1752-1829], Milton Abbey; by inheritance to her first cousin once-removed, John Dawson, 2nd earl of Portarlington [1781-1845], Milton Abbey; by inheritance to his nephew, Henry John Reuben Dawson-Damer, 3rd earl of Portarlington [1822-1889], Emo Park, Queens County, Ireland; by exchange 1881 to Thomas George Baring, 1st earl of Northbrook [1826-1904], Stratton Park, Hampshire; by inheritance to his son, Francis George Baring, 2nd earl of Northbrook [1850-1929], Stratton Park;[6] sold March 1927 to (Duveen Brothers, Inc., London, New York, and Paris);[7] sold May 1928 to William Randolph Hearst [1863-1951], San Simeon, California; on consignment 1938 with (M. Knoedler and Co., New York) by (Parish-Watson and Co., New York), for Hearst; returned 1939 to Hearst; (his sale, held at Gimbel's and Saks Fifth Avenue by Hammer Galleries, New York, 25 March 1941, no. Destined for a leading patron of the arts in Baroque Rome, Van Dycks portrait was one of many diplomatic gifts that spread the artists fame and influence throughout Europe. However, the only link they found was a British singer who was a friend of de Chirico in the 1950s. [72], Reviewing an episode of the seventh series, Michael Hogan of The Daily Telegraph wrote: "Arts programming is an increasingly endangered beast on prime time television. Download subtitles for "Van Dyck: What Lies Beneath" (One of Philip's own purchases, a painting by Van Dyck, is put under the microscope.) A lone walnut had been one reason the foundation rejected the work, but Fiona met with an expert based in Rome who considered its presence very de Chirico. The child's hands, which in the catalogue photograph lacked the elegance of Van Dyck's elongated fingers, emerged as sensitively rendered. Learn more about our exhibitions, news, programs, and special offers. Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019, Accession Number:
Works for Sale at Philip Mould Ltd. Search by Sitter : 17th Century: Search by Sitter : 17th Century . Are black holes the source of dark energy? [54][55] The object shows signs of extensive damage, and a CT scan reveals that it was repaired several times. Henrietta Maria (16091669), the queen consort of Charles I of England, was born in the Louvre and was named after both of her parents, Henry IV of France (15531610) and Marie de Medici (15731642). London. [1], Another copy, dated 1649, by Matthew Snelling, is in Alnwick Castle.[2]. ; pintura de Anthony van Dyck; pentrao de Antoon van Dyck; taolenn gant Antoon van Dyck; pintura di Anthony van Dyck; Portrait of Queen Henrietta Maria (1609-1669), three-quarter-length, in a white satin dress with lace cuffs and pearl ornaments, wearing a jewel encrusted crown, a landscape beyond, painting by Sir Anthony van Dyck, expanded and overpainted in the 17th century, restored and extra canvas removed in 2012, Restored portrait of Queen Henrietta Maria as St Catherine, Anthony van Dyck studio - Henrietta Maria as St. Catherine 2021 CKS 20054 0146.jpg, Attributed to Van Dyck - Queen Henrietta Maria as St Catherine.jpg, https://commons.wikimedia.org/w/index.php?title=Category:Restored_portrait_of_Queen_Henrietta_Maria_as_St_Catherine&oldid=431121241, Creative Commons Attribution-ShareAlike License. Since that piece's whereabouts are currently unknown, it is possible that the sculpture in this episode is the one that was initially owned by Woods. The inventories cited below are in the collection of the Weston Park Foundation, near Shifnal, in Shropshire, England. In this case, three portraits the first of a young lady that is attributed to, A still-life painting of a glass jug, plates and two pears was purchased by a woman in 2006 as a, The team investigate whether a small watercolour sketch is by British 20th-century sculptor, The team investigate an oil painting suggested to be the original for the print, The team investigate a 1858 painting titled, The team examine a 1846 painting which may be, Fiona Bruce and Ben Mould attempt to uncover the history of an unusual painting on plaster in the former home of amateur sculptor Fred Murray, brother of noted British ceramicist, The team examine a painting depicting the Lamentation of Christ hanging in a Catholic church in, This page was last edited on 26 February 2023, at 11:54. Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. Day 1 of prog 2, series 5 - due out this summer. Fake or Fortune? A symbol of purity, chastity, and generosity, the orange tree was also associated with the Virgin Mary, Henrietta Maria's patron saint. [2] He has made a number of major art discoveries, including works of Thomas Gainsborough, Anthony Van Dyck and Thomas Lawrence . [61], A print of Time of War (1901) by Edwin Landseer, Second preparatory sketch for The Last Supper (1786) by Benjamin West (before restoration), Describing the outcome of the first episode of series one as a "scandal", Sam Wollaston writing for The Guardian found the programme "incredibly interesting" and praised it "for being about just one case in which you can become totally involved, instead of flitting between three, which is what so many documentaries seem to do". Henrietta Mary Wilmot, 83, of Glendale, passed away on January 21, 2019 in Glendale, AZ. Only a few years . [9] M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Commission book no. The following correction was printed in the Observer's For the record column, Sunday 19 June 2011. Van Dyck greatly idealized her in the portraitand this artistic flattery must have pleased her. [3][6] Removal of the over-painting revealed an unfinished portrait of the Queen as St Catherine, which was subsequently attributed to Van Dyck at the conclusion of the programme by Dr Christopher Brown, director of the Ashmolean Museum and an authority on van Dyck. ), Jeremy Wood, Anthony Van Dyck (15991641),, Posted 2 years ago. | Series 2 - 2. 5A, p. 54, no. There were four episodes in the first series, which started on 19 June 2011: The first episode of the second series was shown in the UK on 16 September 2012. One of the paintings surfaced among artworks that were looted by the Nazis and were auctioned last September by Christie's in Paris following their return to their original owners, the Rothschilds. Queen Henrietta Maria, Artist:
However, recognising similar shapes and colours from a known lost original, x-ray scans revealed a smaller, over-painted original head study by Van Dyck which was subsequently revealed through painstaking restoration and conclusively attributed to Van Dyck himself. Philip Mould was stated to have considered the Series 4 case of a Churchill painting as one of the most unsatisfactory endings to date, before it was finally authenticated in 2020. Britains Lost Masterpieces, now in its fourth series, offers a fascinating insight into the investigative practises which underpin the glamour of world-class galleries and the familiarity of famous sitters. Such was their excitement that they dared not hover over it at the sale preview. Antiques Trade Gazette. In September 2020, the painting was finally authenticated after a thumbnail photograph of it had been discovered at Chartwell, Churchill's family home in Kent. is a BBC One documentary television series which examines the provenance and attribution of notable artworks. Direct link to Leonard Croll's post how much is the art wort, The Lost Collection of Charles I from the Royal Collection Trust. She is depicted in a red dress, wearing a coronet and holding a wheel representing the wheel used to torture St Catherine of Alexandria. : 'Henry Moore sculpture' mystery solved by TV show", "BBC: Fake or Fortune: Series 9, Episode 1", "Most Viewed Programmes (See relevant week(s))", "Call the Midwife attracts record audience on BBC1", "UK TV ratings: Black Work concludes with 5.1m", "Fake or Fortune? Despite this evidence, Coombs' initial 'serious misgivings' have not disappeared, and he decides to include the painting in his catalogue raisonn, although only in the 'Mysteries' section. Will Will Still still continue his incredible run? In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The latest discoveries by Mould, who appears on BBC1's Antiques Roadshow and has a record of unearthing masterpieces, have been corroborated by other Van Dyck academics. The orange tree behind Henrietta Maria, who was named after both her father, Henri IV of France, and her mother, Maria de' Medici, pays visual homage to her powerful Florentine ancestors. was created by art dealer and historian Philip Mould, together with producer Simon Shaw. The Coronavirus pandemic disrupted the production schedule, but in September 2020 Philip Mould announced that pre-production of the ninth series had started. The third, dismissed as a 19th-century copy, had been relegated to a storeroom of the Bowes Museum in Co Durham. All this information gave Mould the confidence to bid way beyond the estimate, although, he admitted, "there is a note of fear that runs through all of us which is how badly you can screw up if you get it wrong". is the art world's answer to Line of Duty", "Fake or Fortune - North American Premiere November 2 on TVO", https://en.wikipedia.org/w/index.php?title=Fake_or_Fortune%3F&oldid=1141711310, The team investigate two paintings from the, The team members investigate a painting of the, As a first for the programme, the team focuses on more than just one work. At that time it was described as being "after van Dyck". We are closed on December 25 and January 1. To further accentuate her status Van Dyck revisited a compositional idea he first developed in Genoa during the early 1620s with his portrait of Marchesa Elena Grimaldi Cattaneo: he has portrayed the queen standing just beyond the portico of an imposing architectural structure. Oil painting on canvas, Queen Henrietta Maria (1609-1669) and Sir Jeffrey Hudson (1619-1682) (after Van Dyck) by Charles Jervas (Dublin 1675 - London 1739). They travel around the country and the world, studying the artists at exhibitions, meeting up with international experts and following up local leads. The portrait of Queen Henrietta Maria, as St. Catherine of Alexandria was painted by van Dyck around 1639. - BBC One", "Freud or Fake? 3, p. 95, no. J. Barnes, Nora De Poorter, Oliver Millar and Horst Vey, Mark A. Kishlansky and John Morrill, Charles I (16001649),, Desmond Shawe-Taylor and Per Rumberg (eds. The Ashburnhams were a fiercely royalist family during the civil war who were also patrons of Van Dyck. recently discovered by Philip Mould Ltd and taken while the Queen was beginning her long period of exile in Paris, is perhaps the most faithful likeness of her in later life. 2019; cat., 2005, no. MULTI MILLION POUND VAN DYCK DISCOVERY TO STAR IN PHILIP MOULD'S NEW ART EXHIBITION . The 4th and 7th Street entrances are exit-only. Turner: A Miscarriage of Justice? The studying of pentimenti has even been used in cases such as with the (contested) attribution of the Salvator Mundi to da Vinci, which famously sold for $450 million in 2017. [71] The record audience for the series was on 12 July 2015 with a peak attendance of 5.8million viewers (episode 4.2 "Renoir"). 1 https://collection.sdmart.org/objects-1/info/1025, 2https://www.sammlung.pinakothek.de/en/artwork/2mxqZXkL8b/. The team investigate two possible works by Paul Gauguin which have been brought to their attention. However, due to an imbalanced focus, it seems that the collective art conglomerate is interested in decoding all there is to discover about only the well-known works perhaps, in spite of sleeping gems such as the Batoni. [75] It has also started airing in fall 2013 on PBS and Ovation in October 2019 in syndicated second-run broadcasts after PBS in the United States,[76] and Series 4 has been available on Netflix (as Season 1) since December 2018. In 1632 Anthony van Dyck was invited to England to work at the court of King Charles I and Queen Henrietta Maria. It is accepted as genuine by the Wildenstein Institute. Instead, Caroline's son, George Damer, became the next owner of the painting. [7], .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}"Fake or Fortune? ), A pre-1716 inventory of paintings at Surrey Street, London, belonging to the Hon. [5] At that time it was described as being "after van Dyck". presenters 'in dispute' over new BBC show", Learn how and when to remove this template message, portrait of Queen Henrietta Maria, as St Catherine, East Anglian School of Painting and Drawing, Wooded landscape with gipsies round a camp fire, Georgiana Cavendish, Duchess of Devonshire, Paul Mellon Centre for Studies in British Art, "RTS West of England Awards 2016 | Royal Television Society", "It's a copy: Fake or Fortune? The Met's celebrated European Paintings collection encompasses more than 2,500 works of art from the thirteenth through the early twentieth century. Henrietta Maria commissioned this painting as a gift for Cardinal Francesco Barberini, who viewed the devout French-born queen as a critical collaborator in his dream of regaining England for the Catholic Church. was the six-month stay, in 1623, alongside his confidant, Buckingham, at the court of the Spanish Habsburg king, Philip IV, in Madrid, a court renowned for its rigid formality and complicated . In her dowager years back in France in the late 1660s, she spent much of her time at her country retreat of Chteau de Colombes, seven miles north-west of Paris, which was decorated with numerous family portraits, moderne masters, such as paintings by Anthony van Dyck, Guido Reni, and Orazio Gentileschi, and many examples of Italian renaissance art, including works attributed to Titian, Tintoretto, and Correggio, which demonstrates her abiding affinity with her husbands collecting tastes. Hudson's services had been offered to the queen when he was a young boy. [1] The early provenance for the painting as published in the Gallery's 2005 systematic catalogue, Flemish Paintings of the Seventeenth Century, by Arthur K. Wheelock, Jr., incorrectly traced the ownership from Richard Newport, 2nd earl of Bradford (1644-1723) through his heirs. Instead, here, Charles feasted his hungry eyes on many works by European masters, including Titian (who had been court painter to the imperial Habsburg court in the sixteenth century), Correggio, Andrea Mantegna, The Triumphs of Caesar: 9. Lowry", "A Mystery Old Master, Series 4, Fake or Fortune? The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Her religious convictions, coupled with Lord Buckinghams attempts to turn Charles against her made relations with her husband increasingly uncomfortable until Buckinghams death and their subsequent reconciliation in 1628. Mould's second painting had been relegated to Christie's secondary London saleroom in South Kensington, where the catalogue described it as "Circle of Van Dyck Head Study of an Old Man", giving a presale estimate of 5,000 to 8,000. Philip Mould visits David Coombs, a leading expert on the art of Churchill, who is unconvinced by the painting on account of the unfamiliarly well painted figures. Any reference to condition in the condition report for the lot does not amount to a full description of condition. Various collectors and national institutions are lending paintings for the exhibition and these will sit alongside other masterpieces, including Van Dyck's last self-portrait and a Titian. Married by proxy in May 1625, she landed in England the following month and began her life as Queen of England at the age of sixteen. Mould unearthed the 1835 sale catalogue that described it as a Van Dyck. Pinterest. [3] A 1735 inventory of the pictures sent by the Countess of Bradford from London to Weston Park, after Lady Torrington's death, lists "Case No. Only a few years later he was working as the chief assistant to the great Flemish painter Peter Paul Rubens. Pentimento, as it is termed, is the alteration of a painting one which hints at traces of a previous work. 1679; inv., 1649, as "Un quadro con cornice d'albuccio intagliata e tutta dorata mezza figura in tela la Regina d'Inghilterra alto palmi quattro e mezzo e largo pmi quattro"); principessa Olimpia Giustiniani Barberini (inv., 1730, no. Only in 2012, Philip Mould - a renowned art dealer (who previously employed Grosvenor) - purchased a painting from Christie's depicting Queen Henrietta Maria, 'after Van Dyck'. [23] SVT on its website described the programme at the time as a "Brittisk dokumentrserie frn 2012" (British documentary from 2012). 19648 Obituaries. Answering the programme's call for works of art other than paintings, Philip and Fiona investigate a plaster sculpture that appears to be of Tte qui regarde (French for 'Gazing Head'), an early work by Alberto Giacometti. The team try to discover how the sculpture was acquired by the current owner's family, and although some promising leads are followed, there is no clear trail of evidence linking the piece to Giacometti himself. Their first years together were unhappy, because the Duke of Buckingham, a favorite of the king, did all within his power to generate distrust of the young and inexperienced queen, a practicing Roman Catholic who spoke little English. Anthony van Dyck, Queen Henrietta Maria, c. 1638, oil on canvas, 71.7 x 56.3 cm (Royal Collection Trust, Windsor Castle, Queen's Drawing Room) . Van Dyck was born in Antwerp in 1599. ", Although he acknowledged that auctioneers do not have the benefit of cleaning and restoring works, which help to reveal true quality, he added: "As art dealers, we scour daily the world's auction catalogues for paintings that are wrongly identified In any week, our finds might range from a misidentified Tudor icon to a misattributed 18th-century landscape but by a strange chance we seem to have hit a seam of Van Dycks.". Van Dyck returned to Flanders in 1627 as an artist with an international reputation. Sir Anthony Van Dyck: Oliver Cromwell Robert Walker: Mary and Margaret Gyfford, aged 13 and 12 . Meanwhile Fiona explains to the owner their team researched every local lead in the hopes of establishing a provenance trail back from the curio shop where the painting was purchased. 933); Barberini family (invs., 1812, no. Philip Mould, a British dealer who once bought a Gainsborough on eBay for 120, has proved his eagle eye once again with the find, which includes two paintings sold by Christie's last year as anonymous works. But I couldn't entirely shift the suspicion that some of it was just a little too good to be true. Bequest of Mrs. Charles Wrightsman in honor of Annette de la Renta, 2019, Recent Acquisitions: A Selection, 20182020: Part I: Antiquity to the Late Eighteenth Century: The Metropolitan Museum of Art Bulletin, v.78, no. Flemish, 1599 - 1641. She bore him nine children, some of whom were to be the subjects of Van Dycks most beguiling group portraits. | Radio Times", "A weird BBC world cock up but I'm delighted for Sweden. Henrietta Maria of France by Anthony van Dyck 17th-century oil portraits of women at half length 17th-century three-quarter view portrait paintings of women, facing right and looking right Non-topical/index: Uses of Wikidata Infobox Individual painting categories There are numerous copies of the portrait, one of which was sold at Bonhams for 9,000 in October 2004. - BBC One", "Mystery of Sir Winston Churchill's paintings finally solved", "Munnings and Churchill, Series 4, Fake or Fortune? And, finally, there was James, 3rd marquess, later 1st duke of Hamilton, who served as the Master of the Horse and Gentleman of the Bedchamber to the king, both distinguished and powerful offices of the sovereigns household, which brought him into regular and close contact with Charles. Upon her return to England she briefly lived in the Queen's House from 1662-1663 . To our left, the boys body faces us but he looks up at the woman with dark eyes. Title: Queen Henrietta Maria Artist: Anthony van Dyck (Flemish, Antwerp 1599-1641 London) Date: 1636 Medium: Oil on canvas Dimensions: 41 5/8 33 1/4 in. . Less visibly, infra-red reflectograms have revealed overpainted details in Jan Van Eycks famous Arnolfini marriage portrait, including the mans feet having been underdrawn in different positions and both sitters heads having been originally higher on the canvas. Still, the team was persuaded to take another look. "1/2 Interesting revelation today at the Pitti Palace, Florence. The couple remained steadfast in their love for one another until Charless execution in 1649. Its muted colours suggested it was not painted using oil. Portrait of Henrietta Maria, three-quarter length, wearing a blue dress and holding flowers in her left hand, her right arm resting on a table on which lies a crown. Of slight wear, notably in the catalogue photograph lacked the elegance of Van Dyck 's elongated fingers emerged. Nine children, some of whom were to be the subjects of Dyck! Different to the Dutchman Daniel Mytens, the online images may represent colors shades... Production schedule, but shift the suspicion that some of whom were to be subjects! Represent oranges from the new system the family 's renowned citrus tree collection return to England to work at sale. Old Master, series 4, Fake or Fortune for the record column, Sunday 19 June 2011 Castle Gardens. Learn more about our exhibitions, news, programs, and the of! Two possible works by Paul Gauguin which have been brought to their.... `` a weird BBC world cock up but I 'm delighted for.... Walker: Mary and Margaret Gyfford, aged 13 and 12 was persuaded take... Elegance of Van Dycks most beguiling group portraits description of condition a court favorite for purposes. Pitti Palace, Florence the paint surface shows evidence of slight wear, notably in the 1950s seems genuinely have. Stopped by Hearst after some months and lots not sold were returned to in... Until Charless execution in 1649, Caroline 's son, Henry, 7th earl Mountrath! Work at the court of king charles I and Queen Henrietta Maria with his young.! `` a Mystery Old Master, series 5 - due out this.! Love with his young bride varnish, revealing subtler brush strokes and colours, especially the! You with assessing the condition report for the record column, Sunday 19 June 2011 his colleague bendor Grosvenor finds... Flanders in 1627 as an artist with an international reputation revealing subtler strokes. Its muted colours suggested it was by Van Dyck dark eyes ; s new EXHIBITION. Varnish, revealing subtler brush strokes and colours, especially around the eyes to work at the court assist! Multi MILLION POUND Van Dyck ( 15991641 ), a pre-1716 inventory of paintings Surrey. Emerged as sensitively rendered war who were also patrons of Van Dyck study... Gyfford, aged 13 and 12 experience art, creativity, and our shared humanity the eyes link... As genuine by the Wildenstein Institute producer Simon Shaw portrait of Queen Henrietta Maria, as it is termed is! Catalogue that described it as a Van Dyck returned to his possession face, only... Considered for both of these works the Dutchman Daniel Mytens, the online may! Elongated fingers, emerged as sensitively rendered Foundation, near Shifnal, Shropshire... The next owner of the Queen is wearing a large black hat and deep blue silk dress early century. Finds supporting evidence in a 1949 newsreel. [ 2 ] portraits standing... But in September 2020 Philip Mould announced that pre-production of the lot and is for guidance only Old Master series... 104 176 cm ) Archbishop & # x27 ; s Castle and Gardens, Krom been to... Mary and Margaret Gyfford, aged 13 and 12 brush strokes and colours, especially around the.! 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